Waveforms: SAIC Graduate Student Showcase
A showcase of sound art and performance, from graduate students at SAIC.
A showcase of sound art and performance, from graduate students at SAIC.
SEXING SOUND includes performances, installations, and panel discussions that present and examine the manifestations, contestations, and provocations of gender in contemporary music and sound art. These cultural fields are often presented as neutral or neuter, having often escaped the gender-inflected interrogation that has informed other art forms, such as media arts and photography, in Europe and the US during the past three decades.
Named 'Best Concert Series in a Recording Studio' by the Chicago Reader in 2014, ESS's flagship live performance series returns in Spring 2015 for a series of five concerts showcasing an international roster of improvisers, artists, and composers all working at the vanguard of the sonic arts.
The Sound Department at the School of the Art Institute of Chicago is hosting its student-curated exhibition of sound works at ESS. The event is open to the public.
Laughter and Tears was a surround-sound installation that used the Pritzker Pavilion's state-of-the-art sound system in a unique way, creating a fluid, highly evocative sonic architecture within the Pavilion's lattice-covered lawn. Starting with recordings of laughter from a variety of sources, including improvising vocalists, anonymous audiences, and ordinary citizens, Chicago composers Olivia Block and Joseph Mills employed numerous electronic and acoustic techniques to transform and structure these sounds into a coherent musical form that explored laughter in all its range and nuance, from the comic to the devious. Sound artist Lou Mallozzi will worked with the composers to shape this composition into a surround-sound format intended as an immersive installation environment, a sonic architecture superimposed onto the material architecture of the Pavilion. Laughter and Tears was commissioned and presented by Experimental Sound Studio, and ran continuously November 4 and 5, 2011, from 10AM to 10PM. It was a follow-up to ESS’s enormously successful Train Time, which was presented at the Pavilion in fall of 2009. The piece was presented in partnership with the Chicago Office of Tourism and Culture and is scheduled to coincide with the Sound Art Theories Symposium organized by the Sound Department of the School of the Art Institute of Chicago.
Opening reception for Acres of Coins, a sound installation by students from the Sound Department of the School of the Art Institute.