Florasonic Opening: The World Doubles in Size
Join us in the Lincoln Park Conservatory Fern Room for a special Florasonic opening performance by Macie Stewart and Lia Kohl. The installation will play following the live performance.
Join us in the Lincoln Park Conservatory Fern Room for a special Florasonic opening performance by Macie Stewart and Lia Kohl. The installation will play following the live performance.
Following a summer spent in Chicago, “The World Doubles in Size” is a piece compiled of field recordings taken all around the city- documenting a summer spent at home. The sounds of the Chicago river, summer storms, conversations, cicadas, violin, and voice, are all featured throughout the piece in varying levels of processing.
This collaborative sound installation arose from the graduate seminar “Sound, Performance, and Land” at the School of the Art Institute of Chicago, co-taught by Bill and Stephanie Sick Distinguished Visiting Professor Raven Chacon and Whitney Johnson.
My Ideal is Windy is a site-responsive installation inhabiting Lincoln Park Conservatory’s Fern Room. The work is brought to you by 2023 Alba Artist-In-Residence Dorothy Carlos.
OPENING RECEPTION: January 15, 1 - 3PM
Sunday, January 15 - Sunday, April 9
Lincoln Park Conservatory Fern Room
2391 N Stockton Dr, Chicago
FREE & open to the public, during Fern Room open hours
Woodwind instruments, birdsong and field recordings gathered by Rob in the Prairie State of Illinois are manipulated to reveal a native soundscape somehow in harmony with the exotic flora inside the Lincoln Park Conservatory. Slowing down bird sounds to a more human friendly speed unveils a beauty and complexity achieved over millennia.
Rob Frye is a musician and birder interested in bioacoustics and convergence.
Florasonic is an ongoing sound installation commissioning series by ESS in collaboration with the Lincoln Park Conservatory. The 2022-2023 season is funded in part by the Puffin Foundation.
Florasonic returns to the Lincoln Park Conservatory Fern Room with a newly commissioned installation by Kikù Hibino entitled fell to fern. Additionally, Kikù will perform a closing concert featuring Alex Inglizian on Sunday, October 16.
Florasonic returns to the Lincoln Park Conservatory Fern Room with an newly commissioned installation by Kikù Hibino entitled fell to fern.
Florasonic returns to the Lincoln Park Conservatory Fern Room with a newly commissioned installation by Kikù Hibino entitled fell to fern. Additionally, Kikù will perform a closing concert featuring Alex Inglizian on Sunday, October 16.
Set in the Fern Room of Chicago’s Lincoln Park Conservatory, Lakshmi Ramgopal’s installation A Half-Light Chorus features a ninety-minute, four-channel recording of vocalists imitating the calls of birds from India and Sanskrit literature. Punctuated with original Tamil odes to individual birds, this tapestry of arias, whistles, clicks, and cries plays with the diurnal rhythms, forms, and functions of birdsong.
Join us Sunday, Jan. 21st at 2pm in the Lincoln Park Conservatory fern room for a special performance by composer and sound artist, Stephan Moore. He'll be performing along to his installation, A Grid Against the Sky, in the fern room on his Wall of Metals.
Sara Ludy's Climates is a soundscape inspired by changes in perception of sound while experiencing a feverish state.
KEEFE JACKSON (sax), WHITNEY JOHNSON (viola), and JOSHUA DUMAS (vibraphone) will perform live along with Florasonic installation 'Night Songs for the Birds of North America' by Dumas.
What you'll hear in the Fern Room is Night Songs for the Birds of North America by JOSHUA DUMAS—a four-channel exploration of translation, memory, and mass extinction in the anthropocene.
What you'll hear in the Fern Room is Droopy, a composition by the Chicago duo Coppice (Noé Cuellar and Joseph Kramer). These musicians use acoustic and electronic instruments, with a focus on bellows instruments that are driven by airflow, such as accordion and pump organ. In Droopy, they concentrate on exhalation and the decay of breath to produce sounds that taper off in pitch and volume, recalling the drooping shapes of many of the plants in the Fern Room, and the heat and humidity that pervade it.